| |
|
|
| |
 |
|
| |
With
the correct adaptor the Olympus E-300 will take all of your minolta lenses. |
|
| |
Since
Minolta changed to the AF mount in 1985 photographers that have invested
in Minolta MF gear have been left largely unsupported by Minolta and third
party manufacturers. One reason that Minolta MF users have not joined
the world wide rush to digital is because no manufacturer, including the
now defunct camera department of Minolta, supports the manual focus bayonet
mount from Minolta on a digital body.
Adaptors
do exist for Minolta MF to Minolta AF mount but because the lens mount
to film registration distance on a manual focus body (43.5mm) is shorter
than that of a Minolta AF body (44.5mm) they must use an adaptor with
optical elements inside to retain infinity focus. Minolta manufactured
a dedicated 2x converter to enable use of manual focus
lenses on its AF bodies, but naturally, if you wanted an unmagnified
image you were out of luck. Some third-party manufacturers released converters
with a lower level of magnification (1.1x to 1.3x), however these are
generally of a simple one or two element design and resulted in a significant
deterioration in image quality.
The
same problem exists with other major DSLR manufacturers including Canon
(44.0mm), Nikon (46.5mm), Pentax (45.5mm) and Leica R (47.0mm). Unfortunately
the impressive compactness of the original Minolta manual focus bodies
had become our undoing in the switch to digital!
|
|
| |
|
|
| |
One of the
reasons for having a large focus registration distance is to provide room
for the mirror inside to flip up out of the way when a photograph is taken.
While some modern DSLRs have smaller mirrors (enabled by their smaller
sensor size) they all are based upon existing camera platforms, and hence
the registration distance remained the same - too large for use with Minolta
manual focus lenses.
Unlike
the other manufacturers, Olympus had never followed up the successful
OM series with an autofocus interchangeable-lens SLR. Accordingly, the
company had no legacy system of lenses and bodies to work with, and hence
when digital
photography became the way of the future the company was able to completely
reconsider the format. In response, in 2003 Olympus introduced the 4/3
digital system, a new open standard for digital SLR design, with common
lens mounts that will enable lenses and and bodies of any 4/3 design to
be used together, even if they are manufactured by different companies.
The system uses a smaller sensor, enabling more compact camera bodies
and the shortest sensor to lens mount registration for a digital camera
with interchangeable lenses. Happily, at 38.67mm it is short enough to
enable an adaptor to be manufactured that will allow a Minolta manual
focus lens to be used on the camera.
CameraQuest,
operated by Stephen Gandy is a boutique camera importer and accessory
manufactuerer based in the USA. many of you may be familiar with Stephen's
site due to his profiles on many rare and highly sought-after cameras.
Stephen has traditionally sold adaptors to enable the use of lenses from
other manufacturers on different cameras, an area that even before the
introduction of digital was a popular practice for some professionals,
seeking for example to achieve the results from a Zeiss wide angle on
their Canon autofocus body. With the introduction of the Olympus 4/3 format
it was possible to open this up to many more camera brands, and he is
now providing adaptors for most interchangeable lenses, including Minolta
manual focus. |
|
| |
|
|
| |
The CameraQuest
MD-Fourthirds adaptor is mounted and left on the camera,
and thereafter every Minolta lens can be mounted and dismounted. The
process requires the use of an allen key to loosen a small grub screw,
and while this is less than perfect it is much less expensive than buying
more adaptors!
The adaptor allows
perfect infinity focusing and naturally includes no glass elements to
degrade performance. A link to the Cameraquest adaptor webpage is provided
below:
|
|
| |
|
|
| |
 |
|
| |
The
CameraQuest adaptor pictured with the Olympus E-300 and the magnificent
Minolta 58mm f/1.2 |
|
| |
The adaptor isn't
inexpensive at US$175, however this price is to be expected for a custom
designed and manufactured item with limited market. Importantly, it enables
Miolta manual focus users with a desire to continue using their lenses
to experience the full resolution and speed of these lenses without any
loss in performance. |
|
| |
 |
|
| |
Olympus
have 4 digital 4/3rds camera bodies, the E-1, E-300, E-500 and the new
E-330 (the first ever dslr with live preview and movie capture capabilities).
The E-1 was the first fourthirds system camera to be released in June
2003, and it was followed by the E-300 in Septemeber 04, the E-500 in
September 2005, and the E-330 in January 2006.
The
E-1 being an older body is of lower resolution (4.9MP) however the other
bodies all feature high resolution, being between 7.4MP and 8.0MP. A comparison
of the bodies is available at DP Review on the link below: |
|
| |
 |
|
| |
The
Olympus digital bodies are all priced between US$599 and US$999 at B&H
Photo, making them very attractive alternatives to the higher priced DSLRs
from other manufacturers. On ebay prices are even better, with the E-300
available for under US$400 new, and the E-1 available for approximately
US$450. |
|
| |
|
|
| |
The
Olympus E-1 - an older model with lower resolution but professional features |
|
| |
Unfortunately the E-300 and E-330 have slightly modified
light chambers due to the unique prism that allows the viewfinder to be
positioned to the side of the camera rather than the typical slr position.
This modification means that the aperture pin of the Minolta lenses will
foul on areas of the light box. All other E series cameras are reported
to work well (but we have not confirmed this).
There
are two options for the E-300 owner that wants to use an adaptor for MF
Minolta lenses. Either shave a mere 0.3mm off the lens aperture pin or
modify the light box on the E-300. The
modification to the E-300 light box requires some skill with a knife and
is not one I recommend for the faint of heart. |
|
| |

|
|
| |
The
image on the left shows the original E-300, the right image is after modification |
|
| |
As
can be seen a large piece of plastic needs to be removed from the light
chamber. Care must be taken as this also holds the spring that retains
the viewfinder focus screen. A channel may be cut in the plastic with
a dremel tool rather than the total cutaway approach chosen here and it
may even be possible to use a fine tipped soldering iron to melt away
a section of the plastic. |
|
| |
 |
|
| |
The
E-300 with adaptor mounted ready to be used with your Minolta manual focus
lenses |
|
| |
On the next page we
explore the use of the Olympus system with your Minolta lenses, including
first hand experiences and some images captured with the camera. |
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|